Tracking: $400/day Mixing: $800/song
Born and raised 20 ft from the studio, (literally) Jorge has been around Different Fur Studios for close to 10 years now. He started his career making beats for a lot of the local rappers and moved into engineering as a teen. His passion for Hip-Hop lead him to Different Fur Studios. His producing skills will enhance any tracks that are brought to him. Oh yeah, Jorge is also our Studio Manager so he’ll take care of you on the booking side.
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Last Artful Dodgr
Toro Y Moi
Team Back Pack
Text Me Records
A-1 (Adam Vida)
Mikos Da Gawd
Girls n' Boomboxes
The Bay Bridged
Instagram, Soundcloud, Facebook: @leviathenvoi
Rates: contact for more info
Originally from Sacramento, CA, Lien grew up on punk, jazz, and ska which pushed her to pursue a B.A. in Music at UCDavis. There she took the classical route in ethnomusicology/percussion performance as well as graphic design. During that time she became deeply ingrained in the college freeform radio station KDVS 90.3fm which exposed her to experimental electronic music, recording and creating music on different DAWs, and film. Back then and since then, she has played in various bands and continues to do so while joining Different Fur Studios in 2015. She started as an intern and now is involved in engineering, designing, and community organizing at the studio. She also works with Matthew Pereira under the name LIEMA for their film audio company.
Xanh the Movie
The Foundation Presents: X
Au Revoir Simone
Kevin De Nicolo
Liema, A.K.A. Lien Do (Leviathe) & Matt Pereira (Kōmak), are both in-house producers and engineers based out of Different Fur Recording Studios in San Francisco. With expertise in classical music, electronic composition, and sound design for visual media, they have combined skills to create a versatile team. Matt, with a Masters in Audio Design, creates sound design pieces using fm synthesis to create a truly immersive and unique sound creating more space for the soundscape. Lien, with a BA in Music, composes string arrangements styled with microtonal dissonance that create a unique classical style paired with electronic influence. Utilizing modern music technology, they worked collaboratively to create in depth soundscapes that merge the space between composition and sound design. With backgrounds in recording/mixing engineering from Different Fur, both have experience in film audio post-production for mixing at all stages for projects from feature films, short films, webseries, podcasts, animation, and more. Liema have clientele nationally in both film and music.
Post sound mixing/editing
NBC Asian America (webseries)
Cinelli Biking (Advertisement)
Moov (Fitness App)
The Foundation Presents 'X' (Feature Film)
Naked Narratives (podcast)
Skating Frens (Skate Documentary)
Xanh the Movie (short film) by Sal Tran
Under (short film) by Marchello Autasso
Shooting Blind Films (Film Company)
Twitter & Instagram: @loomersf
Engineer: $250 per day Assistant: $200 per day
Raised in the East Bay, Sean Paulson has spent the bulk of his six-year recording career at Different Fur. Trained at nearby Ex’pression College, Paulson found himself inspired by the tones and textures found on albums like My Bloody Valentine’s Loveless or The Microphones’ The Glow Pt. 2, Paulson became laser-focused on providing musicians with the perfect sounds, so that they could keep their attention on songwriting and performance.
In Different Fur, Paulson says, he has found a team of like-minded, talented, and hardworking collaborators.
13th Floor Elevators
Adam & The Cola Kids
Annie Girl & The Flight
Bobby Joe Ebola & The Children MacNuggets
Everyone is Dirty
Friends for Benefits
Go Away Robot
Kalin & Myles
Panic Is Perfect
Pins of Light
Should We Run
Steven Norman Long
Teens In Trouble
Thao and the Get Down Stay Down
Third Eye Blind
Tobias Jesso Jr
Rin Tin Tiger
The Yellow Dress
Twitter & Instagram: @studio_dad
Mixing: $500 per day Producing: Call to discuss rate
A champion of San Francisco Bay Area music for more than fifteen years, Patrick Brown took the reins at Different Fur in 2007. In his decade at Different Fur, Brown has served as intern, house engineer, studio manager, and owner. Raised and educated between Long Island and Sedona, Arizona, Brown was raised surrounded by music. Between his mother’s massive collection of albums, his father’s saxophone, and his uncle’s experience on the road with everyone from Kool & The Gang to The Beach Boys, Brown was destined for a career in the industry. Brown grew up obsessed with hip-hop, rinsing artists like Cappadonna, Big Pun, and the first DJ Honda mixtape while mainstream radio was blasting Third Eye Blind and Chumbawumba. So, when he struck out on his own for advertising school, he went with his gut instinct and, partially inspired by a documentary on the making of Bjork’s Homogenic, bought a Yamaha QY-70 portable sequencer to satisfy his urge to start composing tracks. Brown eventually got his formal production education at Ex’pression College in the East Bay, and began his career in recording in the early 2000’s. A musical polymath and lover of all genres, Brown enjoys the challenge of getting artists from point A to point B, whether the artist is looking to work on songwriting, step up production quality, or simply grab the listener’s attention. Brown has been involved in records for the likes of Toro y Moi, K. Flay, The Morning Benders, and others, as well as presiding over hundreds of sessions and providing a venue for the prolific videographers of Yours Truly. Passed down from engineer to engineer, in a tradition started by Pat Gleeson in the late 1960’s, Brown is proud to run a studio with such a rich, storied legacy, and to celebrate Different Fur as a historical landmark in an ever-changing city.
All of A Sudden
Antre Ne Vuet
B. Bravo and The Starship Connection
Bear in Heaven
Big Krit & Grillade
Mars Today / Los Rakas
Michael Franti & Spearhead
Nicolas Jaar & Darkside
Bring The Tiger
Dam Funk & Master Blaster
Rodrigo y Gabriela
Should We Run
Skin & Bones ft Chris Chu, Bernie Worrell, 88 keys
Skin & Bones ft Izza Kizza and Bernie Worrell
So Many Wizards
Everyone is Dirty
Girls n Boomboxes
Tegan and Sara
The Buttercream Gang
The Cold Volts
The Most Holy Trinity
The Park ft. Darondo and Happy Mayfield
The Secret Players Society
Tink & DJ Dahl
Illusion of Self
Jacques Greene & Tinashe
James & Evander
Kendrick Lamar and ScHoolboy Q
Kevin Burns (Of Montreal)
King Loses Crown
Lee Fields & The Expressions
Lisa Marie Johnston
WOOF ft. Antwon & Swiftumz
G-Side, Tragik & Doe Eye
Young & Sick
Twitter: @michaelstarita Instagram: @staritasf web: staritasf.com
Engineer: $65 hr/$500 per day Producer: $1500-2000 per song (depending on genre)
Starita is a lifelong musician with over 19 years experience as an engineer, producer, and remixer across a multitude of genres specializing in rock, pop, and electronic music of all types. His clients include some of the industry's top artists such as Phife Dawg, Childish Gambino, Michael Franti and Spearhead, Third Eye Blind, and more. Recently, his work with Laura Sullivan won the Grammy® for Best New Age Album. In addition, his work with Los Amigos Invisibles was Latin Grammy® nominated for Song of the Year and Grammy® nominated for Best Latin Alternative. Starita also serves as President of The Recording Academy San Francisco Chapter and continues to crank out tunes with an eclectic blend of recording artists while consulting for music tech companies nationally and internationally.
Michael Franti and Spearhead
Third Eye Blind
Madame Ghandi of M.I.A.
Los Amigos Invisibles
Amp Live (Zion-I)
Tyler Bryant and The Shakedown
Christian Pepin of La Cuneta Son Machin
Through The Roots
Joseph Israel and The Jerusalem Band
Ernest Boom Carter (Bruce Springsteen)
The Afrofunk Experience
Universal Music Group
Island Def Jam
Twitter & Instagram: @jetsetrecording Email: firstname.lastname@example.org
Engineering: $250 per day / $40 per hour
I am a freelance sound engineer that has been performing music since I was 6 years old. I started playing music when my mom enrolled me in classical piano classes. I continued with classical piano throughout my childhood, winning many performance competitions and even receiving a scholarship for music to Beloit College, a 4 year college in Wisconsin. It was at Beloit College that I discovered the world of audio recording. At Beloit College I took my first classes in audio engineering and recorded my first mixtapes out my dorm room. Knowing that music was my passion, I moved to Oakland shortly after graduating college in 2007.
For the last 2 years I have had the pleasure of doing my freelance audio engineering work out of the legendary Different Fur Recording Studios in San Francisco's Mission District. Over the last 5 years I have had the pleasure of working with talents such as : Rayven Justice, Laroo THH, Stresmatic of the Federation, Lil Blood, Trill Youngins, G Baby, just to name a few. My mantro is to approach every project with a fresh set of eyes, ears, and thoughts. No project should sound the same in my opinion. My expertise is in Hiphop and R&B, but I am in love with all genres of music.
Alias John Brown
Harm From Da Rich
Laz Tha Boy
Riah of Thizzlatin
Facebook & Instagram: inhalt.us Youtube: INHALTVIDEO
Mixing/Tracking: $375/day $40/hr
Production/Sound Design/Writing/Remix: Call or Email to discuss rate (email@example.com)
A resident of the San Francisco electronic and experimental music circuit for over a decade, Matia's work has questioned the line between forward-thinking, avant pop and the depths of the underground.
He honed his craft at the now infamous Asphodel Studios/Recombinant Media Labs where, as an in-house producer and sound designer, he collaborated with the likes of M.I.A., Blixa Bargeld (Nick Cave and the Bad Seeds), and many others responsible for pushing the boundaries of the pop context. Never one to shy from the dark or the unorthodox, his production style is equally inclusive: hardware-centric and exudes the decadence and lushness of the past while integrating the precision and speed of today's studio process.
This ethos has directly attributed to Matia's recent demand and success both in the avant-garde (Peter Baumann/Tangerine Dream, Dark Entries Records) as well as the corporate (Akai Professional, Restoration Hardware). No stranger to incorporating his vast collection of vintage synthesizers, drum machines, and fx processors in whatever production he's currently obsessed with, Matia creates a studio environment that is hands on and tactile while yielding an end product that bleeds uniqueness.
His experience as a touring musician and a recording artist forms the basis of an empathic relatability with his clients. When coupled with his Balkan temperament, this leads to sessions that never feel like work but always accomplish the task.
Peter Baumann (Tangerine Dream)
Keith Hillebrandt (Nine Inch Nails)
Kode9 (Hyperdub Records)
Sfire (Ghostly International)
Kangding Ray (Raster-Noton Records)
Dark Entries Records
Emotional Especial Records
Elektron Music Machines
Dave Smith Instruments
Tyler Friedman (Kontra Music)
All Social Media: @derekted Contact: firstname.lastname@example.org
Engineer/Producer: $15 per hour, $125 per day
Born and raised the in the Bay Area, Derek Ted moved to San Francisco to study audio engineering at SFSU in 2007. Since then he has found himself writing and recording his own records and others at many studios and DIY spaces around the bay area. Focusing on a live emotive soundscape, Derek pulls old school analog recording methods mixed with his own DIY approach. Inspired by artists like Circa Survive, Wye Oak, Father John Misty, Fleet Foxes, and Angel Olsen and many more Derek has many different approaches between full band records and solo singer song writer styles. Songwriting is his number on painting a picture with the artists he works with to bring out their emotional colors of the songs they write.
Rin Tin Tiger
Twitter & Instagram: @robwrightmusic
Tracking: $200 per day Mixing: $250 per day Assisting: $150 per day Production: Contact for Rates
Born and raised in Ohio, Rob began playing drums at the age of 8. Once introduced to hip hop he began doing production and engineering. Rob is a talented producer and mixing engineer who mostly works in the pop genre, and with roughly 14 years of studio experience under his belt he has worked with some of the most legendary hip hop & R&B artists to date.
Erk the Jerk
The R.O.D. Project
Sage The Gemini
Trife Da God
All Social Media: @mrmarstoday Contact: Marsatax@gmail.com
Contact for Rates
A native San Franciscan, Mars has been producing and releasing music for almost a decade to critical acclaim (Okayplayer, Boiler Room, 2DopeBoyz, Majestic Casual, Soulection Radio). He is extremely versatile in the studio, and can easily play the role of producer, songwriter, session musician, engineer, mixer, or vocal coach, depending on what the client or project needs.
Having spent the majority of his tenure working to develop, and manage independent artists & releases, Mars has a wide-ranging understanding of what it takes to succeed in this ever-shifting industry. He has produced & written for major label artists (Los Rakas, Jahkoy), and composed original music for for hit television shows such as Robot Chicken, MTV Movie Awards, & Dexter.
One of his greatest strengths as a producer is his ability to arrange vocals & instrumentation. Having studied vocal technique, he is adept at helping guide vocalists towards the perfect take. He works similarly with musicians, directing their effortsuntil the part fits perfectly within the sonic landscape. He specializes in R&B, pop, hip-hop, and reggae, but is highly capable of creating in other genres as well.
Rickie Lee Jones
Rich Iyala (Fka. Sayknowledge)
All Social Media: @adampenamusic Contact: email@example.com
Contact for Rates
Growing up in the Bay Area, Adam found a love for hip hop in his childhood years. He got his start in the music industry at the age of 17 as an intern. During that time, he put in countless hours recording and mixing local artists and has not stopped since. Adam has worked with artists such as Kehlani, YG, G- Eazy, Kevin Gates, etc. In 2016, he received recording credit on YG’s second studio album “Still Brazy”. His passion for acquiring musical knowledge, his love for the art and culture, and his desire to achieve the highest creative level possible are what continue to be the driving force in his career.
Sad Boy Loko
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